Examines the history and theory of African American filmmaking, introducing central political and aesthetic debates by way of different cinematic eras, genres, and filmmakers. Focuses primarily on black directors and producers independent and commercial contexts as they confront popular representations of U.S. blackness in their own cinematic practice.
Individuals and Societies (I&S)
Visual, Literary, and Performing Arts (VLPA)
Other Requirements Met:
December 7, 2017 - 4:01pm