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|Author/Title||Research Type||Related Fields|
|Vince Schleitwiler, “Black Transpacific Culture and the Migratory Imagination.” In African American Literature in Transition, 1900-1910, ed. Shirley Moody-Turner. Series ed. Joycelyn K. Moody. Cambridge University Press (forthcoming April 2021).||Publications, Articles||20th Century, African American, Global and Transnational Studies, History, Literature, Philippine and Filipino American, Popular Culture, Popular Music|
|https://open.umn.edu/oen/2020/08/11/inside-critical-filipinx-histories/||Publications, Books||Archives, Culture, History, Philippine and Filipino American|
|Schleitwiler, Vince, Abby Sun, and Rea Tajiri, eds. “Messy, Energetic, Intense: A Roundtable Conversation among New York's Asian American Experimental Filmmakers of the Eighties with Roddy Bogawa, Daryl Chin, Shu Lea Cheang, and Rea Tajiri.” Film Quarterly 73.3 (Spring 2020): 66-78. DOI: 10.1525/fq.2020.73.3.66||Publications, Articles||20th Century, Asian American, Film/Cinema, Media Studies, Popular Culture, Public Scholarship, Visual Culture|
|Schleitwiler, Vince. "The Bright Future and Long Shadow of John Okada’s No-No Boy." The Margins, Asian American Writers' Workshop, 18 Nov 2019, aaww.org/no-no-boy-shadow-book-vince-schleitwiler/.||Publications, Articles||20th Century, Asian American, Literary Criticism|
|Sakamoto, Michael and Vince Schleitwiler. “MuNK: Loving the Non-Alien.” Global Performance Studies 3.1 (2019).||Publications, Articles||Aesthetics, Art, Asian American, Global and Transnational Studies, Japanese, Performance Studies, Theory/Criticism, Violence and Trauma, Visual Culture|
|Schleitwiler, Vince. "Apparitions of the Non-Alien: Philadelphia." Ongoing serialization at www.citiesofrefuge.info, May 2018-. (Excerpts originally published in a brochure by Asian Arts Initiative, Philadelphia, 2018.)||Publications||20th Century, Art, Asian American, Culture, History, Nonfiction Prose, Public Scholarship|
|Rosales Castañeda, O. (2017). El movimiento in Washington State: Activism in the Yakima Valley and Puget Sound Regions. In J. Garcia (Ed.), We are Aztlan! Chicanx histories in the northern borderlands (pp. 135-166). Washington State University Press.||Publications||20th Century, Activism, Chicana/o, Community, History, Labor, Public Scholarship|
|Vince Schleitwiler, "East Meets Black: Asian and Black Masculinities in the Post-Civil Rights Era, by Chong Chon-Smith," The ALH Online Review, Series XIII. Book review.||Publications, Articles||20th Century, African American, Asian American, Gender, Women, and Sexuality Studies, Literature, Media Studies, Politics of Representation, Popular Culture|
|Vince Schleitwiler, "The Violence and the Music, April–December 1899," in “Forward,” Journal of Transnational American Studies 8.1 (2017). Excerpt from Strange Fruit of the Black Pacific: Imperialism's Racial Justice and Its Fugitives (New York: New York University Press, 2017).||Publications, Articles||20th Century, African American, Asian American, Culture, History, Japanese, Literature, Music, Philippine and Filipino American, Violence and Trauma|
|Schleitwiler, Vince. Strange Fruit of the Black Pacific: Imperialism's Racial Justice and Its Fugitives. New York: NYU Press, Jan. 2017.||Publications, Books||20th Century, African American, Asian American, Literary Criticism, Philippine and Filipino American, Race and Ethnicity|
|Schleitwiler, Vince and Tamiko Nimura. "Break, Burn, Hoard: For an Atlas of Lost Afro-Asian Worlds." CA+T DIALOGUES. The Center for Art and Thought, Spring 2016, http://centerforartandthought.org/work/project/dialogues.||Publications, Articles||African American, Asian American, Philippine and Filipino American, Public Scholarship|
|Schleitwiler, Vince. "A Demonology of Comparisons: Imperialism, Justice, and Anti/Blackness." Comparative Literature 68.2 (June 2016): 116-29.||Publications, Articles||African American, Asian American, Race and Ethnicity, Violence and Trauma|
|Beyond Aztlán: Mexican & Chicana/o Artists in the Pacific Northwest. Seattle: Marquand Books, 2016.||Publications, Books||20th Century, Art, Art History, Latino/a Studies, Visual Culture|
|Schleitwiler, Vince. City of Refuge. The Center for Art and Thought, Nov.-Dec. 2015, http://centerforartandthought.org/work/project/artist-in-residence.||Publications, Articles||African American, Asian American, Literary Criticism, Philippine and Filipino American, Public Scholarship, Race and Ethnicity|
|“Come Back Home Soon: The Pleasures and Agonies of ‘Homeland’ Visits,” in Philippine Palimpsests: Filipino Studies in the Twenty-First Century, edited by Martin F. Manalansan IV and Augusto Espiritu. New York: New York University Press.||Publications, Articles||Community, Philippine and Filipino American, Transnational|
|Lauro Flores (Ed.). A Arreguín: Correspondencias. Seattle: Marquand Books, 2015||Publications, Editions||Art, Visual Culture|
|Lauro Flores. Arturo Artorez: Time & Chance / Tiempo y azar. Seattle: Marquand Books, 2014.||Publications, Books||Art|
|Rick Bonus. “Filipino American Community Organizations,” “Filipino American Newspapers,” and “Filipino Pensionados,” in Asian Americans: An Encyclopedia of Social, Cultural, Economic, and Political History, edited by Xiaojian Zhao and Edward J. W. Park. Santa Barbara, California: Greenwood Press, 2014: 386-389, 392-393, and 415-416.||Publications, Editions||Asian American, Culture, Economics, History, Social Change|
|Dina C. Maramba and Rick Bonus, editors. The “Other” Students: Filipino Americans, Education, and Power. Charlotte, NC: Information Age Publishing, Jan, 2013.||Publications, Books||Education, Philippine and Filipino American, Race and Ethnicity|
|Lauro Flores. Art & Migration: Takeda and His Disciples / Arte y migración: Takeda y sus discípulos, exhibition catalog; Oaxaca, México, Carteles Editores, 2012.||Publications||Art|
|Lauro Flores. Fulgencio Lazo: Reconstruction of Memory/Reconstrucción de la memoria. Oaxaca, Mexico: Carteles Editores, 2010.||Publications, Books||Art|
Lauro Flores. José Luis Rodríguez Guerra: Myth, Magic & Memory. Seattle: AlphaGraphics, 2009.
Lauro Flores. “Alfredo Arreguín: A Parable of Leaves and Eyes.” Gatefold brochure produced in conjunction with the exhibition Memory: PortraitureToday at the NationalPortrait Gallery, Smithsonian Institution, Washington, DC. Seattle: Marquand Books, 2007.
Lauro Flores. “Fulgencio Lazo: Hacia una geometría de la nostalgia / Toward a Geometry of Nostalgia,” exhibition catalog, Indigo Gallery. Oaxaca, Mexico, 2007.
Lauro Flores. Caligrafía de la Memoria, exhibition catalogue, 2006.